December 11, 2020
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Late yesterday evening, I’d began reading an MA thesis by Peter T Ford, entitled ‘The Compositional Style of Keith Emerson in Tarkus (1971)’. It’s a piece of music that I know very well, and which has accompanied me through life since my mid-teens. Clement Greenberg read music criticism avidly. He appreciated its approach to dealing entirely formally and analytically with…
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